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2001 (4)

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Irenaeus of Lyons
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ISBN: 0511174640 0511047371 0521675723 0511154615 1280430176 0511487797 0511325223 0521800064 9780521800068 9780521675727 9780511487798 0511018231 9780511018237 9780511047374 9780511154614 110712235X Year: 2001 Publisher: Cambridge : Cambridge University Press,

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Abstract

Eric Osborn's book presents a major study of Irenaeus (125-200), bishop of Lyons, who attacked Gnostic theosophy with positive ideas as well as negative critiques. Irenaeus's combination of argument and imagery, logic and aesthetic, was directed to the bible. Dominated by a Socratic love of truth and a classical love of beauty, he was a founder of Western humanism. Erasmus, who edited the first printed edition of Irenaeus, praised him for his freshness and vigour. He is today valued for his splendid aphorisms, his optimism, love of the created world, evolutionary view of history, theology of beauty and humour. Why have two millennia of European culture been so creative? Irenaeus points to Greek ways of thinking and the Christian Bible. Irenaeus's thought is complex, yet rewarding to the critical reader, and this full study of it will be of interest to theologians, historians of ideas, classicists, scientists and students.

For fear of the fire : Joan of Arc and the limits of subjectivity
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ISBN: 1282738461 9786612738463 0226519848 9780226519845 9780226519814 0226519813 0226519813 0226519821 9780226519821 9781282738461 6612738464 Year: 2001 Publisher: Chicago : ©2001 University of Chicago Press,

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Why are contemporary secular theorists so frequently drawn to saints, martyrs, and questions of religion? Why has Joan of Arc fascinated some of the most important thinkers of the twentieth century? In a book that faces crucial issues in both critical and feminist inquiry, Françoise Meltzer uses the story of Joan as a guide for reading the postmodern nostalgia for a body that is intact and transparent. She argues that critics who place excessive emphasis on opposition and difference remain blind to their nostalgia for the pre-Cartesian idea that the body and mind are the same. Engaging a number of theorists, and alternating between Joan's historical and cultural context, Meltzer also explores the ways in which postmodern thinkers question subjectivity. She argues that the way masculine subjects imagine Joan betrays their fear of death and necessitates the role of women as cultural others: enigmatic, mysterious, dark, and impossible. As such, Joan serves as a useful model of the limits and risks of subjectivity. For Meltzer, she is both the first modern and the last medieval figure. From the ecclesial jury that burned her, to the theorists of today who deny their attraction to the supernatural, the philosophical assumptions that inform Joan's story, as Meltzer ultimately shows, have changed very little.

Subtle bodies : representing angels in Byzantium
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ISBN: 9786612356308 0520925130 1282356305 1597349240 9780520925137 1417523840 9781417523849 9780520224056 0520224051 9781597349246 6612356308 0520224051 9781282356306 Year: 2001 Publisher: Berkeley : University of California Press,

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Throughout the course of Byzantine history, Christian doctrine taught that angels have a powerful place in cosmology. It also taught that angels were immaterial, bodiless, invisible beings. But if that were the case, how could they be visualized and depicted in icons and other works of art? This book describes the strategies used by Byzantine artists to represent the incorporeal forms of angels and the rationalizations in defense of their representations mustered by theologians in the face of iconoclastic opposition. Glenn Peers demonstrates that these problems of representation provide a unique window on Late Antique thought in general.

Expériences du divin dans l'Algérie contemporaine : adeptes des saints de la région de Tlemcen
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ISBN: 2271058538 2271078512 9782271058539 Year: 2001 Publisher: CNRS Éditions

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Far from the media stereotypes maintaining the image of a legalistic and belligerent Islam, Islamic mysticism, true religion of love and desire practiced by the faithful in search of the divine, is characterized by a great diversity of cults. It is to a journey to the heart of the feminine expressions of this religious form in Algeria in the eighties that Sossie Andezian invites us with this work. In an original style combining emotional sensitivity and scientific rigor, slices of religious life captured live are delivered to us.Tearing the veil of a standardized Islam, the author reveals the variety of experiences of the divine in Islam, from meditation in silence to ecstatic dances, including all forms of prayers celebrating God and the intercessors of men with God (jinn, saints, prophets). The rituals are analyzed in the light of the changes that have occurred in Algerian society since Independence, in particular in the field of the relationships between rural and urban space, between women and men, between local religions and State religion. Living testimonies as well as descriptions of great finesse make the book attractive and accessible to the non-specialist.

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